A Collection of Architectural Review Materials

Sunday, October 26, 2014

Frank Lloyd Wright & the Textile Block

 












Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 – April 9, 1959) was an American architect, interior designer, writer, and educator, who designed more than 1,000 structures and completed 532. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture".[1] Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States.

His work includes original and innovative examples of many building types, including offices, churches, schools, skyscrapers, hotels, and museums. Wright also designed many of the interior elements of his buildings, such as the furniture and stained glass. Wright wrote 20 books and many articles and was a popular lecturer in the United States and in Europe. His colorful personal life often made headlines, most notably for the 1914 fire and murders at his Taliesin studio. Already well known during his lifetime, Wright was recognized in 1991 by the American Institute of Architects as "the greatest American architect of all time".

The Textile Block
One of the great innovators in the history of architecture, Frank Lloyd Wright experimented with new design vocabularies and building systems. Shown here are three examples of his imaginative genius.

In the 1920s Wright designed a number of houses in California using precast "textile" concrete blocks reinforced by an internal system of bars. This style is exhibited in the first drawing shown here of the Storer home. Built in Hollywood for Dr. John Storer seventy years ago, the house is now used in films, television, and print media to represent the future. Typically Wrightian is the joining of the structure to its site by a series of terraces that reach out into and reorder the landscape, making it an integral part of the architect's vision.

The second design is for a richly decorative stone lintel for the front of a house built in Milwaukee. Influenced by the architectural ornament of the Viennese Secession and the abstractions of Cubist sculpture, Wright here adapts images of Native American chieftans in a decorative frieze that rivals the work of his own master, Louis Sullivan. 

Through the 1920s he designed a number of innovative houses in California using precast "textile" concrete blocks reinforced by an internal system of metal bars. One of the first of these experiments was this unbuilt project for a house at Eagle Rock, near Pasadena. Typically Wrightian is the joining of the structure to its site by a series of levels and terraces that reach out into the landscape. 

Preeminent architect Frank Lloyd Wright made a significant impact on the built environment both in the United States and throughout the world. He created structures that transformed residences, commercial buildings, and public spaces for more than half a century. Often Wright himself designed each of the elements for his projects including the windows. Intended as a neighborhood kindergarten, Wright built a “playhouse” for repeat clients Avery and Queen Ferry Coonley in Riverside, Illinois. In this instance, Wright adapted balloon shapes, the American Flag, and checkerboard patterns to create colorful stained glass windows visible in the drawing. [website source]





The Millard House (Interior)



The Millard House

Other Reads:
Textile Block Period/ Mayan Inspired (on Pinterest)
Ennis House

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